\n<\/p>\n
December 11, 2025<\/p>\n
3 min read<\/p>\n
Add Us On Google<\/span>Add SciAm<\/span><\/span><\/p>\n Satirical Art Exhibit Takes on Tech Titans and Our AI Future<\/p>\n Billionaire-headed machines lampoon tech power and the way our images quietly become fuel for AI<\/p>\n By Deni Ellis B\u00e9chard edited by Eric Sullivan<\/span><\/p>\n A wax head of Elon Musk is seen on a robot dog as a part of an art installation called “Regular Animals” by digital artist Mike Winkelmann, also known as Beeple, during Art Basel 2025 at Miami Beach Convention Center in Miami Beach, Florida, December 7, 2025.<\/p>\n CHANDAN KHANNA \/ AFP via Getty Images<\/p>\n Imagine Elon Musk staring you down. Now imagine his head on a doglike robot as it looks at you, squats and poops out your image. This was part of an installation entitled Regular Animals at this year\u2019s Art Basel Miami Beach art fair. Viewers stood outside a pen containing robot quadrupeds with the heads of tech billionaires, famous artists and Mike Winkelmann, aka Beeple\u2014the creator behind all this. The vibe was equal parts showroom, petting zoo and black comedy.<\/p>\n The gag is crude, but the point is serious: Beeple is mocking the way tech power, and the data we unknowingly surrender, shapes what culture becomes.<\/p>\n \u201cFor now, we imagine ourselves the authors and operators of these systems,\u201d Beeple wrote in his artist statement. \u201cAs robotics and AI advance toward forms of autonomy, the possibility emerges that these beings may one day claim their own interpretive authority.\u201d<\/p>\n If you’re enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.<\/p>\n Beeple, an American digital artist whose nonfungible token (NFT) artwork sold for $69 million at Christie\u2019s in 2021, helped launch the art marketplace for such NFTs, digital items recorded on a blockchain to publicly show their ownership. Now he\u2019s contemplating our AI future. \u201cWe\u2019ll be viewing the world through the lens of robots and machines and math,\u201d he said in an interview with Whitewall. \u201cCertain people shape the way we view the world.\u201d<\/p>\n People look at the art installation called “Regular Animals” by digital artist Mike Winkelmann, also known as Beeple, during Art Basel 2025 at Miami Beach Convention Center in Miami Beach, Florida, December 7, 2025.<\/p>\n CHANDAN KHANNA \/ AFP via Getty Images<\/p>\n In Regular Animals, each robot had a camera that captured images of people; an internal computer applied AI-based styling, and a compact printer ejected four-by-six-inch \u201ccertificates\u201d from the robots\u2019 behind. When the Musk robot looked at the crowd, the AI converted what it saw to stark black-and-white linework with labeled parts, charts and flow diagrams\u2014like a patent drawing explaining a human audience. A Zuckerberg robot\u2019s droppings had a deep-blue \u201cmetaverse\u201d vibe, with hologram people and grid floors. A robot with the head of the Spanish painter Pablo Picasso discharged prints with angular faces and bold colors. And a mechanical dog bearing the head of American pop artist Andy Warhol excreted images with halftone dots and a printed-media feel.<\/p>\n \u201cLet\u2019s recognize the reality that Mark Zuckerberg and Elon Musk have a massive amount of influence on what we see, and how we see the world,\u201d Beeple told the Wall Street Journal. \u201cThey just wake up and they change this or that algorithm and boom: Our visual culture changes immediately, for better or worse.\u201d<\/p>\n To create the exhibition, Beeple relied on the work of others. The hyperrealistic heads were the product of Hyperflesh, the company of mask maker Landon Meier. The metal and polymer robots were from Unitree, a Chinese robotics company. Each used lidar navigation, similar to the sensing systems in Waymo and other self-driving taxis, to map the surroundings and approach the viewers.<\/p>\n Though many of the robots sold for $100,000 each, not all art critics were charmed. Beeple has long lived inside the cryptocurrency economy he now satirizes\u2014part of what makes the piece either self-aware or self-serving, depending on your read. In the online arts magazine Hyperallergic, senior editor Valentina Di Liscia derided the work, saying the installation\u2019s real purpose was \u201cto advance crypto wealth by making you, the viewer, an active participant in the ploy.\u201d<\/p>\n The exhibition\u2019s deeper insight may simply be the reminder that we\u2019re all becoming AI training data. As robots get cheaper and more common, more machines will map rooms and capture images. Customer service bots, warehouse robots, delivery devices and security systems will collect data that, as Beeple\u2019s statement reminds us, will become \u201cpart of the vast, ever-growing archive from which future intelligences will be shaped.\u201d The joke lands because it\u2019s already true: the more machines look at us, the more we\u2019ll be absorbed into the immense archive from which future intelligences learn to generate culture\u2014whether we consent or not.<\/p>\n If you enjoyed this article, I\u2019d like to ask for your support. Scientific American<\/span> has served as an advocate for science and industry for 180 years, and right now may be the most critical moment in that two-century history.<\/p>\n I\u2019ve been a Scientific American<\/span> subscriber since I was 12 years old, and it helped shape the way I look at the world. SciAm <\/span>always educates and delights me, and inspires a sense of awe for our vast, beautiful universe. I hope it does that for you, too.<\/p>\n If you subscribe to Scientific American<\/span>, you help ensure that our coverage is centered on meaningful research and discovery; that we have the resources to report on the decisions that threaten labs across the U.S.; and that we support both budding and working scientists at a time when the value of science itself too often goes unrecognized.<\/p>\n In return, you get essential news, captivating podcasts, brilliant infographics, can’t-miss newsletters, must-watch videos, challenging games, and the science world’s best writing and reporting. You can even gift someone a subscription.<\/p>\n There has never been a more important time for us to stand up and show why science matters. I hope you\u2019ll support us in that mission.<\/p>\nOn supporting science journalism<\/h2>\n
It\u2019s Time to Stand Up for Science<\/h2>\n