\n<\/p>\n
As the birthplace<\/span> of prestige TV shows like\u00a0The Sopranos<\/em> and\u00a0The Wire<\/em>, HBO\u2014and, by extension,\u00a0HBO Max\u2014is best known for its impressive lineup of original series. The network has also been upping the ante with feature-length content that is the stuff of Oscar dreams.<\/p>\n Below is a list of some of our favorite films streaming on HBO Max\u2014from Oscar-winning epics to dystopian sci-fi classics. If you decide you\u2019re in more of a TV mood, head over to our picks for the\u00a0best shows on HBO Max. If you\u2019re looking for even more recommendations, check out our lists of the\u00a0best movies on Netflix, the\u00a0best movies on Amazon Prime, and the\u00a0best movies on Disney+.<\/p>\n If you buy something using links in our stories, we may earn a commission. This helps support our journalism.<\/em> Learn more.<\/em><\/p>\n Very little about Jacinda Ardern’s tenure as prime minister of New Zealand could be described as quotidian. She became the country’s opposition party leader just weeks before election day. After she won she discovered she was pregnant and gave birth while still in office, one of very few heads of state in history to do so. During her tenure she navigated the Covid-19 lockdowns and the Christchurch mosque shooting. This documentary, directed by Michelle Walshe and Lindsay Utz, chronicles her meteoric rise, resignation, and life after her time in office.<\/p>\n A24\u2019s partnership with HBO continues to ensure that a never-ending stream of fascinating new(ish) indies from around the globe find their way into the Max library. The latest is a totally deranged Australian horror film starring two-time Oscar nominee Sally Hawkins in what might be her most unhinged performance yet. Following the death of their father, teen step-siblings Andy (Billy Barratt) and Piper (Sora Wong) are sent to live in a foster home with Laura (Hawkins), an odd but seemingly well-meaning older woman who is also currently tending to a young mute boy named Oliver (Jonah Wren Phillips). But Andy comes to learn that Laura is harboring some serious trauma of her own\u2014and that he and his fellow foster kids are part of a wild plan to restore normalcy to Laura\u2019s life. The movie takes viewers to dark, unexpected, and often gruesome places as it dissects the power that trauma can have over our lives.<\/p>\n Ari Aster made a splash\u2014and one unfortunately memorable splat\u2014with his 2018 directorial debut, which took psychological horror to new heights. Annie Graham (Toni Collette) is an artist living a seemingly contented life with her psychiatrist husband (Gabriel Byrne) and their two teenaged kids, Peter (Alex Wolff) and Charlie (Milly Shapiro). But any sense of normalcy disappears almost immediately following the death of Annie\u2019s mom, with whom she had an often strained relationship. Is Annie crazy? Is her husband a terrible shrink? Is Peter a terrible person? Why does Charlie make that clicking noise? What\u2019s that in the back seat of the car? These are all valid questions that are answered by Aster, whose deft directorial style has made him an instant Hollywood icon. Aster\u2019s follow-up films, 2019\u2019s equally disturbing Midsommar<\/em> and 2023\u2019s surrealist Beau Is Afraid<\/em>, are also both available to stream.<\/p>\n Anya Taylor-Joy was a 19-year-old Hollywood newcomer when she delivered her breakthrough performance as Thomasin, the young daughter of a family that is banished from its Puritan community in 1630s New England and forced to live in solitude in the wilderness. Soon they begin experiencing a series of eerie encounters that they believe to be supernatural in origin\u2014and they very well may be right. The film, which burns slowly but brilliantly toward a conclusion that rewards viewers\u2019 patience, marked the feature directorial debut of writer\/director Robert Eggers, who has gone on to wide acclaim for similarly moody flicks like The Lighthouse<\/em> (2019), The Northman<\/em> (2022), and Nosferatu<\/em> (2024).<\/p>\n Two years before nabbing the first of two (and counting) Oscar nominations for his work on Steve McQueen\u2019s 12 Years a Slave<\/em>, Michael Fassbender and McQueen collaborated on the criminally underseen Shame<\/em>. To be fair: the film\u2019s NC-17 rating certainly didn\u2019t help its chances at becoming a box office behemoth, but the controversial rating was necessary in order for McQueen to deliver such a raw and honest portrayal of addiction. Brandon Sullivan (Fassbender) is a handsome and powerful executive living the good life in New York City, all while attempting to hide a debilitating sex addiction that has quickly taken over every part of his life. But when Brandon\u2019s sister Sissy (Carey Mulligan) shows up at his apartment unexpectedly, she forces him to confront the ties\u2014and trauma\u2014that bind them.<\/p>\n Paul Rudd and Tim Robinson both do what they do best\u2014be impossibly likable and incredibly unhinged, respectively\u2014in this dark comedy bromance. Craig Waterman (I Think You Should Leave<\/em>\u2019s Robinson) is an awkward marketing executive who is surprised when his new neighbor Austin Carmichael, a local TV meteorologist, invites him over for a beer one night. The two strike up an unexpected friendship that has the typically homebound Craig seeing the world in a whole new way\u2014one filled with guys\u2019 nights and male bonding. But when Austin decides to call off their brewing brotherhood, Craig cannot handle the rejection. And will go to wild lengths to mend their relationship.<\/p>\n What\u2019s in the box?<\/em> If you don\u2019t know, you\u2019re about to find out. If you do know, it\u2019s still worth rewatching. Gwyneth Paltrow was simply known as Brad Pitt\u2019s girlfriend when this clever thriller was released in 1995, and Kevin Spacey was a hot commodity fresh off his Oscar win for The Usual Suspects<\/em>. How times have changed! But this David Fincher classic, about a serial killer whose North Star is the seven deadly sins, remains a gritty masterpiece that has lost none of its potency in the 30 years since its release. Warning: It\u2019s scheduled to leave the service on October 31, so get to (re)watching.<\/p>\n Twenty-five years after Final Destination<\/em> arrived in theaters, and more than a decade after the last installment, the newest entry in the so-bad-it\u2019s-good horror franchise just delivered what is undoubtedly its best chapter. While the story follows the same plot that fans have come to know and love\u2014a group of people manage to cheat death, so Death comes back to finish the job\u2014this one gives some history to that familiar rubric. While that gives this entry a more emotional level, it\u2019s also quite clever in the new ways it chooses to off those whose fate was predetermined. And while it\u2019s gory as hell, there\u2019s something subtly comedic about the whole affair.<\/p>\n Hot on the heels of some of the best, and most successful Marvel movies ever (that would be the Black Panther<\/em> films), writer-director Ryan Coogler found a whole new way to blow cinephiles’ minds with this gorgeous vampire tale. Set in 1930s Mississippi, the film stars Michael B. Jordan in a dual role as twin brothers Smoke and Stack, two World War I veterans who return home from Chicago with mob money with a plan to run a juke joint. Opening night of their new establishment, however, goes terribly wrong when a group of blood-sucking white musicians shows up at their door. Lush and full of beautifully shot action scenes, Sinners<\/em> is already headed to the top of most Best of 2025 lists. In addition to the original theatrical release, HBO Max is streaming the film in Black American Sign Language (BASL).<\/p>\n In 2017, Jordan Peele went from one half of Key & Peele<\/em> to an Oscar-winning screenwriter (not to mention the first Black writer to win the Academy Award for Best Original Screenplay and the first Black filmmaker to be nominated as a producer, writer, and director in one year). Eight years later, the impact of Peele\u2019s Get Out<\/em> is still just as impressive. Chris (Daniel Kaluuya) has been invited by his girlfriend, Rose (Allison Williams), to spend the weekend at her parents\u2019 home in upstate New York. While Chris worries that her seemingly upper-class parents won\u2019t be accepting of an interracial relationship, Rose assures him it won\u2019t be a problem\u2014and she\u2019s right, but for all the wrong reasons. With Get Out<\/em>, Peele cracked the code on making a film that was a horror movie, psychological drama, and telling commentary on race all at once.<\/p>\n Even if you don\u2019t care about awards, the fact that Parasite<\/em> is the first\u2014and still only\u2014non-English-language movie to win a Best Picture Oscar should tell you something about the universality of its themes. The Kims, a family struggling to make ends meet, set their scheming sights on the Parks, a well-to-do family with plenty of problems of their own, but also plenty of money to muffle their dysfunction. At least for a time. Just when you think you know how class warfare is playing out in this black comedy, it changes course to reach an unexpected conclusion. As always, director Bong Joon-ho knows just how to lead his audience down one path, only to open a trapdoor into another.<\/p>\n Succession<\/em> creator Jesse Armstrong just might be today\u2019s foremost chronicler of the world\u2019s 1 percent. He stays in that lane with Mountainhead<\/em>, his feature directorial debut, which follows an unexpectedly eventful weekend gathering of four of the tech world\u2019s most powerful men at the new mountain retreat of Hugo \u201cSouper\u201d Van Yalk (Jason Schwartzman), the only non-billionaire of the bunch. While it\u2019s meant to be a friendly get-together between old pals, everyone has an ulterior motive for blocking the weekend on their calendar. But all plans go out the window when the social media platform owned by Ven Parish (Cory Michael Smith), the world\u2019s richest man, sends the world into upheaval as the result of a fast-tracked AI feature that\u2019s spreading disinformation at an alarming rate. Which everyone but Ven sees as an opportunity to increase both their power and net worth.<\/p>\n Romy Mathis (Nicole Kidman) is a high-powered CEO with a husband (Antonio Banderas) who does not excite her and two teenage daughters she adores. But her life is turned upside down when one morning, while walking to her office, she is nearly attacked by a dog. A handsome young stranger (Harris Dickinson) steps in and manages to avert the attack, which leaves Romy shaken\u2014and curious. Later, that same young man is introduced to her as Samuel, one of her newest interns, who seems to keep finding ways to push the boundaries of appropriate workplace behavior. Eventually, Romy gives in to Samuel\u2019s advances, and his taste for BDSM-ish kink. Despite Romy\u2019s concerns about the unfair power dynamic, Samuel insists that he\u2019s the one who holds the power in their relationship, as she is the one with everything to lose. He might be right about that.<\/p>\n Adrien Brody earned his second Best Actor Oscar for this historical epic from director Brady Corbet about L\u00e1szl\u00f3 T\u00f3th (Brody), a Bauhaus-trained architect who emigrates to America after surviving the Buchenwald concentration camp. T\u00f3th settles in the Philadelphia area and must rebuild his life by working menial jobs for little pay. But T\u00f3th\u2019s talents don\u2019t go hidden for long. A wealthy industrialist, Harrison Lee Van Buren (Guy Pearce), learns about T\u00f3th\u2019s past and commissions him to design a huge project. He also helps to speed up the immigration of T\u00f3th\u2019s wife, Erzs\u00e9bet (Felicity Jones), whom he has not seen since his incarceration. But T\u00f3th soon learns that the American Dream comes at a price. While, at its heart, The Brutalist<\/em> is a frank depiction of the immigrant experience, it\u2019s also a heartbreaking statement on the pain that comes with processing trauma. The film won three of its 10 Oscar nominations, and is completely deserving of each.<\/p>\n Prepare to have your mind blown by this trippy 1977 horror-comedy from Japan. Gorgeous (Kimiko Ikegami) is the daughter of a famed film composer who returns from a trip to Italy with a surprise: a new wife. In an effort to avoid the awkwardness of the situation, she asks her aunt if she can stay at her creepy old mansion for the summer, then brings along six of her closest friends. It doesn\u2019t take long for weird things to start happening. Disembodied head attacks, homicidal pianos, and possessed cat portraits? This thrillingly bonkers cult classic has it all!<\/p>\n Legendary documentarians Albert and David Maysles reinvented the rockumentary with this riveting first-hand recounting of the final days of the Rolling Stones\u2019 1969 US tour, which led to their infamous Altamont Free Concert. The concert, which attracted an estimated 300,000 people to California\u2019s Altamont Speedway on December 6, 1969, was a disaster from the get-go\u2014especially given the band\u2019s decision to bring in the Hells Angels as the show\u2019s security (one member famously said they were reportedly paid in beer). The Stones weren\u2019t the only artists, but by the time they took the stage the crowd was out of control. At one point, one of the Angels stabbed a man, Meredith Hunter, right in front of the stage\u2014a moment that the filmmakers later realized they had captured on film. Seeing the band\u2019s reaction to watching the footage themselves makes for a truly compelling perspective on rock stardom.<\/p>\n Colman Domingo proves yet again why he is one of today\u2019s most acclaimed actors with this Oscar-nominated performance. Divine G (Domingo) is an inmate at New York\u2019s infamous Sing Sing prison, serving time for a crime he did not commit. During his imprisonment, he finds purpose and joy in the prison\u2019s theater group, part of its (very real) Rehabilitation Through the Arts program. By tapping into his inner thespian, Divine G is able to connect with his emotions, and he becomes determined to prove his innocence. But his undeniable acting talent, which inspires some of his fellow inmates, ends up posing a problem when it comes time for a parole hearing. Ultimately, Divine comes to respect the transformative power of the arts in helping him and some of his fellow inmates to overcome their past traumas. Making the film even more powerful is the fact that many of the actors are formerly incarcerated men who took part in the program.<\/p>\n Hugh Grant earned some much-deserved awards consideration for playing so far<\/em> against type in this religion-themed psychological thriller. Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) are two young Mormon missionaries who are desperate to find someone\u2014anyone<\/em>\u2014who will let them speak about their religion in an attempt to convert new members to the church. When Mr. Reed (Grant), a seemingly kind older man, invites them into his home in order to deliver their spiel to him and his wife, it quickly becomes apparent, at least to Sister Barnes, that something is amiss. And that Reed doesn\u2019t so much want to hear about religion as he does talk about it\u2014and force his own beliefs on the young women in increasingly bizarre, and deadly, ways.<\/p>\n Andrew Garfield and Florence Pugh ignite the screen with their chemistry in this romantic tearjerker that follows the couple over the course of a decade, from their meet-not-so-cute (she hits him with her car) to their journey into parenthood and, eventually, facing the ultimate curveball that threatens their happily-ever-after. Garfield and Pugh are two of the most acclaimed actors of their generation, and We Live in Time<\/em> proves why.<\/p>\n Up until now, most of what you\u2019ve heard about Juror #2<\/em> is how it\u2019s one of Clint Eastwood\u2019s most accomplished directorial efforts\u2014and yet somehow it got shafted when it came to its theatrical release. Now\u2019s your chance to see what all the fuss is about. Justin Kemp (Nicholas Hoult) is a journalist and recovering alcoholic who is making every effort to maintain his sobriety. That becomes a bit of a challenge when he\u2019s put on the jury of a high-profile murder trial \u2026 only to realize that he may have inadvertently played a part in what happened. Hoult is fantastic in this edge-of-your-seat legal (and ethical) drama.<\/p>\n It has been nearly 40 years since Tim Burton\u2019s Beetlejuice<\/em> stormed the late \u201980s box office. In the decades since, we\u2019ve often heard rumblings that a sequel was in the works. Or might be in the works. Or most definitely was in the works. Or might not be in the cards at all. Well, in 2024 it finally happened, and it was as if Michael Keaton had never stepped away from the role at all (eternal life has a way of doing that to you). This time, however, Lydia (Winona Ryder) is still doing her best to forget her rendezvous with the bio-exorcism pro. But when she returns to her childhood home, it\u2019s her own badass daughter (Jenna Ortega) who finds a way to bring him back into all their lives.<\/p>\n In addition to the all-new Superman<\/em> movie, audiences have James Gunn and his DC Studios co-CEO Peter Safran (partly) to thank for bringing this long-overdue documentary about the ultimate superhero actor to worldwide audiences. Directors Ian Bonh\u00f4te and Peter Ettedgui deliver a heartfelt, moving tribute to Reeve\u2014as an actor, yes, but even more so as a person who never gave up. Alexandra Reeve Givens, Matthew Reeve, and Will Reeve\u2014Reeve\u2019s children\u2014share their own stories about their dad, giving the project yet another layer of intimacy. No, you\u2019re crying.<\/p>\n Brandon Vietti (Batman: Under the Red Hood<\/em>) directs this innovative animated adaption of Alan Moore\u2019s Hugo Award-winning graphic novel about an investigation into the murder of Edward Blake\u2014better known as a superhero named the Comedian. When the police come up empty in terms of suspects, the costumed vigilante Rorschach (Titus Welliver) decides to take the case into his own hands, and eventually comes to believe that someone is attempting to knock off superheroes. So he enlists the help of a group of them in order to put a stop to the killing spree.<\/p>\n MaXXXine<\/em> is the third film in writer-director Ti West\u2019s X trilogy, which began with X<\/em> and Pearl<\/em>. It\u2019s set immediately after the events of Pearl<\/em>: Mia Goth\u2019s Maxine Minx is desperate to escape her upbringing as a preacher\u2019s daughter and make the move from porn to more mainstream movies. She gets her chance when she lands the lead in a horror movie, The Puritan II.<\/em> Then her friends start getting murdered. Ultimately, Maxine is forced to confront the sins of her past and find a way to achieve the fame she so desperately dreams of.<\/p>\n In the not-too-distant future, the United States has transformed into an all-out battlefield between an authoritarian government, headed by a third-term president (Nick Offerman), and a stream of secessionist movements that threaten to destroy the country as we know it. But a group of journalists (led by Kirsten Dunst) is determined to document the downfall of America at any cost, so they set about heading to the White House in order to interview the embattled president. Which is much easier said than done. Oscar nominee Alex Garland (Ex-Machina<\/em>) writes and directs this dystopian drama that often hits uncomfortably close to home.<\/p>\n Furiosa<\/em> may have been dubbed last summer\u2019s first box office \u201cbomb,\u201d but don\u2019t let those dollar-focused headlines deter you from this one. Anya Taylor-Joy, who is undoubtedly one of the most versatile actors working today, shines in the role of Imperator Furiosa, a badass emancipator who dares to challenge gender conventions in a dangerous, postapocalyptic world where (no surprise at all) men make the rules. Taylor-Joy does an admirable job embracing the role that Charlize Theron memorably originated in Mad Max: Fury Road<\/em>.<\/p>\n English writer-director Rose Glass follows up her BAFTA-nominated Saint Maud<\/em> with this twisty, hyper-violent love story. It\u2019s 1989 in a rural New Mexico town where gym manager Lou (Kristen Stewart) is doing her best to stay under the radar and keep an eye on her sister Beth (Jena Malone), who is in an abusive relationship with her husband JJ (Dave Franco). But Lou\u2019s life is turned upside down when Jackie (Katy O’Brian), a gorgeous young bodybuilder, begins coming to Lou\u2019s gym to train for an upcoming competition in Las Vegas. The two fall in love\u2014and then Lou\u2019s hidden family secrets come tumbling out of the closet and threaten her life, and the lives of those she cares about.<\/p>\n \u201cI\u2019m Faye Dunaway. That\u2019s who I am.\u201d That\u2019s the way the Oscar winner introduces herself in the trailer for Laurent Bouzereau\u2019s feature-length documentary. But what the film reveals is that there\u2019s a lot more to Faye Dunaway than the glamorous image associated with the legendary star of Network<\/em>. Dunaway opens up in a way that has rarely been seen before, discussing her childhood and family, her struggles with bipolar disorder, and how the characters she has played continue to impact her. It\u2019s a fascinating portrait of a true Hollywood icon.<\/p>\n Jess Jacklin\u2019s feature documentary follows the fascinating journey of Blake, Prentice, and Richard\u2014three individuals with quadriplegia who meet in a neuro-rehabilitation lab at Mount Sinai Hospital and launch a plan to create the world\u2019s first all-quadriplegic esports team. It\u2019s a noble pursuit, but one fraught with challenges as they break down the doors of ableism. At its heart, Quad Gods<\/em> is a story of friendship, perseverance, and survival.<\/p>\n Lucy (Dakota Johnson) is a thirtysomething living in Los Angeles, constantly failing at relationships and wondering why she doesn\u2019t have everything figured out yet. After drunkenly sharing the story of the time she kissed a female friend as a teen, she begins to realize that the problem in her love life might not be the men she\u2019s choosing, but that she\u2019s choosing men at all. Former Saturday Night Live<\/em> writer Lauren Pomerantz penned the script for the film based on her own experience of coming out in her thirties. Tig Notaro and her wife Stephanie Allynne do an admirable job as codirectors, treating Lucy\u2019s journey of self-discovery with the respect it deserves\u2014and plenty of humor.<\/p>\n For better or worse, millions of film fans will remember 2012 as the year of MoviePass. For $25 per month, you could basically live in a movie theater\u2014which was great for audiences, not so great for movie theaters (which were already struggling), and eventually disastrous for the company itself. For anyone who still has their MoviePass, this revealing documentary tells the real story of all that went wrong behind the scenes, and shares the story of the unsung heroes who really did just want to create a product that movie lovers could embrace. By the way: If you do indeed still have your original MoviePass, this doc has made it a worthwhile piece of memorabilia\u2014with some selling for north of $1,000.<\/p>\n Since breaking through with the Oscar-nominated Incendies<\/em> (2010), Denis Villeneuve has continued to prove that he\u2019s one of the most talented filmmakers working today. As if making a Blade Runner<\/em> sequel that didn\u2019t suck wasn\u2019t enough, Villeneuve then went on to crack the cinematic code on Frank Herbert\u2019s Dune<\/em> series\u2014something that true visionaries like David Lynch and Alejandro Jodorowsky had attempted before him, albeit largely unsuccessfully. Both the 2021 original film and its sequel are streaming on HBO Max\u2014as is Lynch\u2019s 1984 adaptation (which has become a bit of a cult classic over the years). The film follows the fate of the planet Arrakis\u2014and its supply of melange, a unique spice and the most valuable substance in the universe\u2014which rests in the hands of Paul Atreides (Timoth\u00e9e Chalamet), the untested son of a powerful duke. Looking for more Dune<\/em> action? The prequel series Dune: Prophecy<\/em>, starring Emily Watson, Olivia Williams, and Mark Strong is streaming in full.<\/p>\n In 1943, Rudolf H\u00f6ss (Christian Friedel) was the commandant of Auschwitz who spent his days playing god with the lives of the concentration camp\u2019s innocent prisoners. But what happened when H\u00f6ss went home? That\u2019s the reality Jonathan Glazer\u2019s Oscar-winning film examines, and the answer is: Not much. H\u00f6ss lives right next door to the camp, in the so-called Zone of Interest, with his wife Hedwig (Sandra H\u00fcller) and their five children. Within those four walls, they strive to build a dream life for their family\u2014while the sound of gunshots, incoming trains, and furnaces being lit are just a part of daily life. Yes, it\u2019s every bit as brutal\u2014and necessary\u2014as it sounds.<\/p>\n Greta Gerwig is a master of breathing new life into old properties (see: Little Women<\/em>). With Barbie<\/em>, she has ignited a revolution. Barbie (Margot Robbie) is living her best life in Barbieland\u2014until one day, when her perfectly plastic world, and heels, suddenly begin to collapse. To get her fabulous life back, Barbie must travel to the real world\u2014well, Los Angeles\u2014to determine who or what is causing her existential crisis. The film grossed nearly $1.5 billion worldwide, meaning you’ve already seen it. But even if you did, it\u2019s absolutely worth a second watch\u2014if only to lament its many Oscar snubs.<\/p>\n In 2017, an intelligence report about Russian interference in the 2016 US presidential election was leaked anonymously. One year later, former NSA translator Reality Winner (yes, that\u2019s her real name) was sentenced to more than five years in prison for the crime\u2014the longest sentence ever received by a government whistleblower. HBO\u2019s reigning muse, Sydney Sweeney (Euphoria<\/em>,\u00a0The White Lotus<\/em>), shines in this gripping true story, which plays out mostly in real time as the FBI knocks on the 25-year-old\u2019s door and spends more than an hour questioning her.<\/p>\n Finding success in one\u2019s lifetime might seem like the dream of every artist, but Nan Goldin has bigger ambitions. Though she\u2019s a photographer by trade, she\u2019s an activist by calling and has long used her camera to capture painfully intimate moments of America in crisis, including extensive work focused on the HIV\/AIDS and opioid epidemics. But\u00a0All the Beauty and the Bloodshed<\/em>\u00a0reveals the artist in conflict: Should she allow her work to be showcased in one of the prominent museums or galleries that have received endowments from the Sackler family\u2014the Big Pharma family that many blame for America\u2019s opioid crisis? It\u2019s a moving portrait of an artist willing to risk it all for her beliefs.<\/p>\n","protected":false},"excerpt":{"rendered":" As the birthplace of prestige TV shows like\u00a0The Sopranos and\u00a0The Wire, HBO\u2014and, by extension,\u00a0HBO Max\u2014is best known for its impressive lineup of original series. The network has also been upping the ante with feature-length content that is the stuff of Oscar dreams. Below is a list of some of our favorite films streaming on HBO<\/p>\n","protected":false},"author":1,"featured_media":25513,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[10920,287,1394,4958],"class_list":{"0":"post-25512","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-technology","8":"tag-hbo","9":"tag-max","10":"tag-movies","11":"tag-october"},"_links":{"self":[{"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/posts\/25512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25512"}],"version-history":[{"count":0,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/posts\/25512\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=\/wp\/v2\/media\/25513"}],"wp:attachment":[{"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/naijaglobalnews.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Prime Minister<\/em><\/h2>\n
Bring Her Back<\/em><\/h2>\n
Hereditary<\/em><\/h2>\n
The Witch<\/em><\/h2>\n
Shame<\/em><\/h2>\n
Friendship<\/em><\/h2>\n
Se7en<\/em><\/h2>\n
Final Destination Bloodlines<\/em><\/h2>\n
Sinners<\/em><\/h2>\n
Get Out<\/em><\/h2>\n
Parasite<\/em><\/h2>\n
Mountainhead<\/em><\/h2>\n
Babygirl<\/em><\/h2>\n
The Brutalist<\/em><\/h2>\n
House<\/em><\/h2>\n
Gimme Shelter<\/em><\/h2>\n
Sing Sing<\/em><\/h2>\n
Heretic<\/em><\/h2>\n
We Live in Time<\/em><\/h2>\n
Juror #2<\/em><\/h2>\n
Beetlejuice Beetlejuice<\/em><\/h2>\n
Super\/Man: The Christopher Reeve Story<\/em><\/h2>\n
Watchmen: Chapter I<\/em><\/h2>\n
MaXXXine<\/em><\/h2>\n
Civil War<\/em><\/h2>\n
Furiosa: A Mad Max Saga<\/em><\/h2>\n
Love Lies Bleeding<\/em><\/h2>\n
Faye<\/em><\/h2>\n
Quad Gods<\/em><\/h2>\n
Am I OK?<\/em><\/h2>\n
MoviePass, MovieCrash<\/em><\/h2>\n
Dune<\/em> and Dune: Part Two<\/em><\/h2>\n
The Zone of Interest<\/em><\/h2>\n
Barbie<\/em><\/h2>\n
Reality<\/em><\/h2>\n
All the Beauty and the Bloodshed<\/em><\/h2>\n